Beba is not a victim of anything, least of all of her own choices. Beba knows exactly what she's doing and she is loving it.

"As a filmmaker and cinema geek, I am a huge fan of Italian erotic movies from the 70s and 80s, and I am especially passionate about Tinto Brass’ cinematographic work. I love the voluptuous atmosphere of the stories set in an Italian landscape that is extremely difficult to find nowadays.

Even though his work is controversial from a feminist perspective, I have always been fascinated by Brass' female characters, such as the protagonist of 'Paprika' which is the story of a sex worker in postbellum Italy. But there is something about movies like this that disturbs me. I don't like the way they portray sex work. In 'Paprika', the protagonist chooses to become a sex worker to help her fiancé with his business, even though she eventually finds 'redemption' in true love. I find that empowering aspect of sex work very erotic, and I think many other people do, too,

But I think it is problematic that these directors depicted sex workers as damaged goods, or bored rich girls who enter this work out of boredom, trying to escape their life or because of some untreated childhood trauma. The women I see behind all the stereotypes and stigmas in movies like this are not bored. Their life is not trivial, and their desire to transgress has the taste of cool ice cream on a summers day.

This is why when I read 'La fantasia di Beba' written by Agnese Trocchi, I found the perfect story and character to challenge the way these old, white, male directors of the 70s and 80s portrayed sex workers. Beba is not a broken little thing just waiting to be saved. She consciously taps into all of their stupid stereotypes. She wears the red shoes, the short skirt and the lipstick but she swaps the roles and subverts the expected narrative of a sex worker who is always either stigmatised or victimised for her choices. She is aware of dealing with a potentially dangerous experience, but she turns it around in her favour. "

— By Lidia Ravviso
Erika's comment

La Fantasia di Beba is both an ode and a satire to Italian erotic movies from the 70s and 80s. Director Lidia Ravviso captured the atmosphere and Italian charm of stories like 'Paprika' by Tinto Brass while challenging the narrative directors like Brass and Co. selected for sex workers during that era. La Fantasia di Beba is not only incredibly smart, it is also beautifully shot. Watching it made me feel the sun on my skin, the ocean breeze of the mediterranean sea on my face and the Italian ice cream on my tongue.

Behind the Scenes

Your Comments
  • P
    Oh thankyou for this. I know what you mean about Tinto Brass, in some ways I love his films, the women in them are certainly free agents and I like that he admires women's agency and sexuality, I also love his humour and tenderness. On the other hand it seems he also fetishes the male gaze and there are certainly some invasive qualities to his perspective. His films are ravishingly beautiful though and you have captured that well, good that you have managed to both critique and pay homage to those movies, I think both are deserved.
    • P
      Lidia Ravviso
      We are on the same page! Thank you so much!
  • K
    Kate CandyBar
    it's so fun and cool! I loved it very much. thank you for the great story!
  • K
  • D
    Unfortunately the subtitles are at a wrong framerate.
  • A
    Sublime...à revoir !
    Merci Erika’s pour ce film 👠
  • N
    beautiful film and love the subtle ways it subverts old tropes about sex work!
  • G
    Amazing sex scenes - far too beautiful to fit the story (weird criticism, I know)
    ;) Thank you
  • F
    I'm so happy that the subtitles don't include things like the moans and noises, because I need the subtitles to understand what they are saying, but don't need it because I'm not deaf. Thank you for the great content!
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